Werewolf Wednesday

Parson, composer, werewolf hunter: Sabine Baring-Gould

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Sabine Baring-Gould is by no means a celebrity today, but in the 19th century he brought a modern sensibility to an ancient body of superstitions: werewolf lore.

Portrait of Sabine Baring-Gould
Portrait of Sabine Baring-Gould (Photo credit: Wikipedia)

I first came across his name thanks to A Very Special Christmas, of all things. On the 1987 compilation album, among the carols recorded by the then-current crop of rock stars was “Gabriel’s Message,” by Sting. The liner notes credited S. Baring-Gould as the composer.

Born in 1834, the Rev. Sabine Baring-Gould was a prolific writer, composer and collector of folklore. Among his scores of published works  are a multi-volume Lives of the Saints, hymns including  “Onward, Christian Soldiers,” and The Book of Were-Wolves, a classic survey of werewolf folklore first published in 1865.

For fans of gothic literature, the first chapter alone makes the book worth picking up. As the introduction in the edition I have puts it, Baring-Gould’s account of his stumbling across pervasive belief in werewolves while on holiday in France is worthy of a Victorian novel.

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Werewolf Wednesday: Catherine Lundoff’s Silver Moon

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If you think the modern werewolf tale is a thinly-veiled metaphor for raging hormones, Catherine Lundoff would say you’re right.  Just maybe not be the ones you’re thinking of.

Lycanthropy in pop culture has become so attached to the adolescent (I Was a Teenage Werewolf and Teen Wolf were early examples) that we ignore other times of change in the human body — such as the transition from middle age to one’s golden years.

But in Silver Moon, Lundoff eschews that obsession with youth by focusing on women “of a certain age.”

“I got the original idea for menopausal werewolves from watching the werewolf film Ginger Snaps, which features teenaged protagonists,” she says. “It’s also funny and political and very grim, and I wanted to do something a bit like that, except with a protagonist who was definitely not a teenager.”

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Werewolf Wednesday: Underworld

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Underworld (2003 film)

I had no idea when I first wrote about Underworld during a stint as movie reviewer for Uptown Magazine that the movie would spawn a four-movie franchise, the latest of which, Underworld: Awakening, hit theatres in March this year.

I’m afraid I never got past the sequel.  This first instalment had its moments (few and far between) but the second, despite Derek Jacobi doing his best Hunt For Red October riff as a sub captain hunting paranormals (if you’re saying “huh?” I say: exactly), was a hot mess.  And that’s kind of unfair to words denoting temperature and chaos.

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Werewolf Wednesday: Tunes to wolf out to

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As I work on my own interminable werewolf work-in-progress, I think often of what would be on its official soundtrack. This is one of those tricks authors use to avoid writing. We call it brainstorming, or world-building, or visualizing. But it’s not.

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Werewolf Wednesday: Grant Gould’s The Wolves of Odin

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I had the opportunity to interview comic book writer and artist Grant Gould a few years ago about his labour of love, The Wolves of Odin.  Since then, he’s continued it as a webcomic and worked on a sequel volume, Marauders of Midgard.  I thought I’d post this 2009 interview ahead of Grant’s upcoming appearance at C2E2, the Chicago Comic and Entertainment Expo.

Grant will be in Artist Alley at table H9, where he will have his artwork for sale. He’ll also be doing custom sketches during the show, so if you’re interested, visit him at his table and sign up early, as spots may fill up fast. (By the way, also attending is last week’s Werewolf Wednesday interviewee, Rachel Deering. Visit her at booth 719.)

In the meantime, if you haven’t read The Wolves of Odin, here’s what you need to know: Vikings. Werewolves. It’s all good.

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Werewolf Wednesday: Rachel Deering’s Anathema

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Welcome to a new feature here at As You Were: Werewolf Wednesday. In which we reserve a day for that greatest of monsters, often overlooked thanks to shambling zombies and flawless vampires. Our first feature in the series is with independent comic book writer and letterer Rachel Deering.

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If you’re tired of garden-variety werewolves, comic creator Rachel Deering has a new one for you: a lesbian shapeshifter out for revenge against religious zealots and fighting members of a sinister cult for her lover’s soul.

Rachel, 29, was born and raised in a small town in northeastern Kentucky. Her passion for comics took root at age seven, when one of her uncles gave her his old collection, and horror was front and centre. It was love at first sight.

“It wasn’t a very large collection, maybe ten or twelve magazines,” she says, “but they were all quality.” Among the titles were genre staples such as Heavy Metal, Creepy, and Tales from the Crypt.

“Not exactly light reading, especially for one so young as me. I read every single issue until the pages were falling apart.”

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