Revising, like war, is hell.
For those of you stuck in your own Work-In-Progress, or for anyone who wonders why it takes so long to write a novel, I offer up my own (unfinished) experience.
Writer & Editor
Revising, like war, is hell.
For those of you stuck in your own Work-In-Progress, or for anyone who wonders why it takes so long to write a novel, I offer up my own (unfinished) experience.
Hey all:
I know it’s been a long stretch since the last post, but real life intrudes, with my work-in-progress, some freelance work, and oh yeah — full-time work and parenting! I could put up a few more previously published pieces, but I have been trying to avoid doing too many of those in a row.
There’s always more that comes out during an interview than you can ever get into an article. You try, but sometimes those tangents don’t belong in the story you’re writing, or you have to take a third of a direct quote when you’d just like to let the person speak in his or her own voice for a paragraph or two.
When I had the opportunity to interview storyteller Jeanne Pelletier about her part in this anthology of traditional Métis stories published as a graphic novel anthology to help bring the stories to a new generation, one of the tangents was why stories of monsters are good for children.