Canada’s forgotten battle: Hill 70

I first became aware of the First World War Battle of Hill 70 when researching the 107th Capturing Hill 70“Timber Wolf” Battalion for a couple of short stories I was working on a number of years ago, which were “A Deeper Echo” and “The Wolves of Vimy.” Compared to the treatment of other battles Canada fought in during the First World War — such as the Somme, Vimy, and Passchendaele — it’s almost unheard of today, and I only stumbled across mention of it because the 107th played a part in it. However, as the contributors to the new volume Capturing Hill 70: Canada’s Forgotten Battle of the First World War, edited by Douglas E. Delaney and Serge Marc Durflinger, show, at the time it was seen as equally important as those other battles. I had the opportunity to review the book for the Winnipeg Free Press (presented below in slightly longer form).

Etched in stone on the war monument on Winnipeg’s Memorial Boulevard, along with SOMME, VIMY and PASSCHENDAELE, are the words HILL 70. Yet while Vimy and Paschendaele loom large in Canadian awareness of the First World War, Hill 70 has been forgotten.

Back to the Front: researching “The Wolves of Vimy”

Kneeling in the Silver Light visits the war memorial on Memorial Boulevard in Winnipeg.
Kneeling in the Silver Light visits the war monument on Memorial Boulevard in Winnipeg.

Shifting genres to tell an earlier part of a character’s story wasn’t something I initially planned on when writing “The Wolves of Vimy” (out now in Kneeling in the Silver Light). But when it came down to it, I thought, what the hell — there’s a story there and I might just learn something.

I’ve blogged earlier this year about how writing “A Deeper Echo” for Long Hidden changed my approach to writing speculative fiction (and, indeed, the way I look at history). For Kneeling in the Silver Light, a dark fantasy/horror anthology of stories about the First World War, I wanted to tell a story in a genre I’d never written in before: military fiction.

“The Wolves of Vimy” in Kneeling in the Silver Light

kneeling-in-the-silver-lightIt’s been hard to sit on this one, as I was very very keen to submit a story to Kneeling in the Silver Light: Stories From the Great War. That was way back in November 2013, but now editor Dean M. Drinkel has released the table of contents, so I can announce that I have a story, “The Wolves of Vimy” in this collection.

Kneeling in the Silver Light is published by The Alchemy Press and released in time for FantasyCon, held this year in York.

Marginalization, speculative fiction and writing for Long Hidden, part 3: the where

Red Sucker Lake (ca. 1920s) - Print #253 Red Sucker Lake 1 - See more at: http://www.eastsideroadauthority.mb.ca/community-redsuckerlake.html#sthash.aBEB8dFu.dpuf
Red Sucker Lake, ca. 1920s. See more at: http://www.eastsideroadauthority.mb.ca

I’ve written in previous posts about why I wanted to write for Long Hidden: Speculative Fiction From the Margins of History and how I went about it. This post will be a bit shorter, as it is mainly about other details that you don’t need to know to enjoy the story, but that you might enjoy knowing anyway. Plus: maps!

(Also, did you know, that Long Hidden is available as of May 9?)

Marginalization, speculative fiction and writing for Long Hidden, part 2: the how

In a previous post, I talked about why I wrote and submitted a short story to Long Hidden: Speculative Fiction From the Margins of History. Given the differences between my personal background and that of the main character in the story, I had to do a lot of research just to write the first draft.  This post is about that.

English: Crowd gathered outside old City Hall,...
Crowd gathered outside old City Hall, at Main Street and William Avenue, during the Winnipeg General Strike. Visible on the left are the Union Bank of Canada building and Leland Hotel. (Photo credit: Wikipedia)

The main character, Thomas Greyeyes, lives in a different era from me (the story is set in 1919), is a First World War veteran, is an Anishinaabe man who worked as a trapper in northern Manitoba, and has barely seen his children in years. I’m of English and Icelandic descent and grew up in the late 20th century. About the only things I had in common with my main character are where the story is set (Winnipeg, where I have lived most my life) and age — Thomas and I are both around 40 years old. And, like him, I’m a father.