Vampires may have been out of favour in the monster-movie biz until recently, replaced by crazed teenager-killers, but in the literary realm they haven’t overstayed their welcome by a long shot, however many novels Anne Rice puts out. (This review was so obviously written before Twilight vastly expanded the readership for all things vampiric. — DJF) Dennis Cooley goes back to the grandaddy of them all, Dracula, for inspiration in Seeing Red.
Cooley’s various takes on the vampire mythos in general and Dracula in particular range from the intensely personal to the cunningly absurd.
Despite the vampire fiction genre taking its place in the mainstream — and the movies that have followed — in the 21st century, one vamp still reigns as the granddaddy of them all: Dracula. But is that just because he’s become a classic monster? Is he still relevant? Can he still be compelling? Offbeat, acclaimed filmmaker Guy Maddin — Icelandic by descent and from Winnipeg, to boot — tackles those questions in his adaptation, with the Royal Winnipeg Ballet, in Dracula: Pages from a Virgin’s Diary.
Once bitten, twice Guy
Maddin, RWB reinvent classic vampire
Cover of Dracula – Pages from a Virgin’s Diary
A character like Dracula comes with a lot of baggage. Despite the relatively recent explosion of vampire fiction (and keep in mind this review was written in 2003, before the explosion of Twilight — DJF), Bram Stoker’s incarnation of the blood-sucking count, followed hard by Bela Lugosi’s screen portrayal, looms large in the popular conception of the ultimate creature of the night.
That hasn’t stopped filmmakers from sallying forth to capture Dracula — but given the heavyweights who have left their mark on the mythos (F.W. Murnau, Terence Fisher, even Francis Ford Coppola), you might think all has been said and done.
Vampires may have been out of favour in the monster-movie biz until recently, replaced by crazed teenager-killers, but in the literary realm they haven’t overstayed their welcome by a long shot, however many novels Anne Rice puts out. (This review was so obviously written before Twilight vastly expanded the readership for all things vampiric. — DJF) Dennis Cooley goes back to the grandaddy of them all, Dracula, for inspiration in Seeing Red.
