A good year for women werewolves

Anathema No 3It’s fair to say 2012 has been great for women werewolves. Lycanthropes have also had some ups and downs in literature and pop culture this year; and as for gatherings of werewolf fans, there was one disastrous convention and one that was quite good.

Feature Friday: Sturla Gunnarsson’s Beowulf and Grendel

If you haven’t heard of Sturla Gunnarsson’s Beowulf and Grendel, released in 2005, don’t confuse it with the mo-cap movie that came out years later. This version, starring Gerard Butler as Beowulf, is a more primal take on movie-making, with much of the atmosphere coming from the Icelandic locations. The difficulties posed by the weather, among other things, were epic; that story is told in the documentary Wrath of Gods, which I plan to post about soon.

For now, read what Canadian filmmaker Gunnarrsson had to say about shooting in his homeland.

 

Where two cultures merge

Iceland-born director brings Anglo-Saxon epic to his homeland

Beowulf & Grendel
Beowulf & Grendel (Photo credit: Wikipedia)

Sturla Gunnarson is bringing an ancient hero to life in the wilds of Iceland. The Icelandic-Canadian filmmaker is helming a international production of Beowulf and Grendel, starring Gerard Butler and Ingvar Sigurdsson.

Beowulf, a poem written in Anglo-Saxon, is believed to be one of the oldest extant works of English literature. Ironically, none of its characters are English. The plot centres on the struggles of a Scandinavian warrior, Beowulf, against the monster Grendel.

Feature Friday: Guy Maddin’s Dracula: Pages from a Virgin’s Diary

Despite the vampire fiction genre taking its place in the mainstream — and the movies that have followed — in the 21st century, one vamp still reigns as the granddaddy of them all: Dracula.  But is that just because he’s become a classic monster? Is he still relevant?  Can he still be compelling? Offbeat, acclaimed filmmaker Guy Maddin — Icelandic by descent and from Winnipeg, to boot — tackles those questions in his adaptation, with the Royal Winnipeg Ballet, in Dracula: Pages from a Virgin’s Diary.

Once bitten, twice Guy

Maddin, RWB reinvent classic vampire

Cover of "Dracula - Pages from a Virgin's...
Cover of Dracula – Pages from a Virgin’s Diary

A character like Dracula comes with a lot of baggage. Despite the relatively recent explosion of vampire fiction (and keep in mind this review was written in 2003, before the explosion of Twilight — DJF), Bram Stoker’s incarnation of the blood-sucking count, followed hard by Bela Lugosi’s screen portrayal, looms large in the popular conception of the ultimate creature of the night.

That hasn’t stopped filmmakers from sallying forth to capture Dracula — but given the heavyweights who have left their mark on the mythos (F.W. Murnau, Terence Fisher, even Francis Ford Coppola), you might think all has been said and done.

Werewolf Wednesday: Nu Yang’s lycanthropic playlist

Nu Yang is author of “A Good Mate is Hard to Find,” one of the fresh new tales of female lycanthropy in Wolf Girls: Dark Tales of Teeth, Claws and Lycogyny. The anthology was published this summer by Hic Dragones.

Nu’s atmospheric, visceral tale starts off with a rash of murders causing grief for the local werewolf — but not in ways you would expect. It turns out finding an appropriate and worthy mate is even tougher for werewolves than regular folks, which means the old “it’s not you, it’s me” conversation is more than just awkward for the supernatural creatures among us.

Parson, composer, werewolf hunter: Sabine Baring-Gould

Sabine Baring-Gould is by no means a celebrity today, but in the 19th century he brought a modern sensibility to an ancient body of superstitions: werewolf lore.

Portrait of Sabine Baring-Gould
Portrait of Sabine Baring-Gould (Photo credit: Wikipedia)

I first came across his name thanks to A Very Special Christmas, of all things. On the 1987 compilation album, among the carols recorded by the then-current crop of rock stars was “Gabriel’s Message,” by Sting. The liner notes credited S. Baring-Gould as the composer.

Born in 1834, the Rev. Sabine Baring-Gould was a prolific writer, composer and collector of folklore. Among his scores of published works  are a multi-volume Lives of the Saints, hymns including  “Onward, Christian Soldiers,” and The Book of Were-Wolves, a classic survey of werewolf folklore first published in 1865.

For fans of gothic literature, the first chapter alone makes the book worth picking up. As the introduction in the edition I have puts it, Baring-Gould’s account of his stumbling across pervasive belief in werewolves while on holiday in France is worthy of a Victorian novel.

The zombiepocalypse comes to Canada

Today I’m pleased to present an interview with a Canadian zombie writer, a none-too-subtle reference to Julianne Snow, which should come as no surprise to those of you who follow her (@CdnZmbiRytr) on Twitter.

Julianne is in the midst of a marathon blog tour for her new novel, Days With the Undead, which brings her her to As you Were today.

Julianne was born in Toronto, Ont., where she still lives, and was the only girl in a family with four children.

She got her taste for horror early, watching Alien at age four with the rest of her family (her older siblings chickened out, but Julianne hung in till the end).