It’s my pleasure today to host urban fantasy author Rhiannon Held, writer of werewolf novels Silver (2011) and its sequel Tarnished, which is out now. I asked her about a possible writing soundtrack, but also about what she thought of the werewolf’s place in culture today. As befits a writer whose werewolves’ social dynamics are rich and complex, she had some fascinating thoughts to share. Take it away, Rhiannon!
When David invited me to do this post, he asked for my thoughts on an interesting topic: What does the werewolf mean as a monster in today’s fiction? I don’t know the answer myself — but while we’re overrun with vampires and zombies, the werewolf seems stuck — at least in the popular consciousness — in old tropes, and doesn’t seem to have the same impact on pop culture.
I think at least part of the answer lies in an idea that I’ve held for a while: we seem to use or discard our monsters based on what kind of metaphors they’re good for. What do I mean by that? Let’s take vampires as an example. Back in history, when they were hairy-palmed ugly monsters, they seemed like more of a metaphor for the unknowable evil that jumps out at you from the dark.
