Posts Tagged with Thor

Reasons to love Thor: Ragnarok

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Thor: RagnarokOK, before we get into discussing why you should see Thor: Ragnarok, we’re going to ignore for a moment that the title of this post misspells “ragnarök” as “ragnarok.” I’m sure if it were a section of Taika Watiti’s Thor movie, there would be a “devil’s anus” joke to riff on here. And I’m a bit disappointed that a movie willing to use Led Zeppelin’s “Immigrant Song” not once, but twice, didn’t get an umlaut in its title.

But such petty concerns are beside the point. I loved this movie. It was exactly as fun as I hoped it would be.

And, in its many departures from Norse mythology, it actually uses them to make a point. Unlike the first two Thor movies (which I enjoyed in their own right), Taika Watiti’s Thor: Ragnarok finds a way to make the Marvel superhero Thor both epic and funny. (In Thor, he was funny, but not epic. In Thor: The Dark World, he was epic, but not exactly funny.)

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More Wrestling With Gods: 18 Days of Tesseracts interview

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Corey Redekop has undertaken the Herculean feat (like that Greco-Roman mythic metaphor there? I’m so subtle) of interviewing the contributors to Tesseracts 18: Wrestling With Gods as part of the 18 Days of Tesseracts event, on now. I have the honour of being interview number seven.  Here’s a taste of the thought-provoking questions he had, and my best attempts at provoked-thought answers. You can see the entire series as it unfolds at Corey’s site.

What is it about so-called “genre” writing that makes it such an effective avenue for theological discussions?

I think genre stories can tap into what we now call myth. Modern audiences maybe need that little lever to get us out of literalist thinking—as if any fiction, genre or otherwise, is absolutely realistic. I don’t think people treated stories in such a fragmented way in the past; we didn’t have to distinguish between the historical or factual or fantastic to get enjoyment and value out of a story. But since religion and faith necessarily deal with questions of meaning, as I think the really old stories do, and aren’t bounded by what we conceive of as the natural world, I think speculative fiction is aptly suited to tackle similar questions.

Who’s your favourite god?

My favourite is Thor, but I think the best stories in the Norse tales we still have access to are about Loki. If you take them as a whole, you see how problematic but also necessary the Trickster figure is. Loki is at times helpful, indispensable, foolish, spiteful or disastrous. We’re much poorer for all the Norse myths that went unrecorded and were lost.

If you were a god for one day, what would you do?

I’d visit the bottom of the ocean and wrestle with krakens.

You can read the entire interview here.

Thunder God Thursday: Walter Simonson’s Ragnarök

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simonson-ragnarok-teaseShould you be interested in Walter Simonson’s Ragnarök? If you’re already familiar with the writer-artist’s work, particularly his acclaimed run on Marvel’s Thor, you can probably skip to the line below.

TL;DR – Shut up and take my money. Yes, it’s that good.

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Vikings: A TV series worth watching, by Thor

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Stop me if you've heard this one before: a crew of vikings walks into a monastery... (History Channel)
Stop me if you’ve heard this one before: a crew of vikings walks into a monastery… (History Channel)

Perhaps we can thank the success of lavish historical dramas such as Rome or the high-fantasy overtones of Game of Thrones for the newest kid on the swords-and-intrigue block, Vikings. The series premières March 3 at 10 p.m. (ET) on the History Channel.

An Irish/Canadian co-production, Vikings tells the story of ambitious Norseman Ragnar Longbrok (Travis Fimmel), who, in the year 729, defies Earl Haraldson (Gabriel Byrne) by secretly refusing to go raiding to the east in Russia. Ragnar tells his brother there’s no point pillaging the same settlements who are just as poor as they are. It’s based loosely on the exploits of the real Ragnar, who became a renowned chieftain.

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Why you should read Walt Simonson’s entire run on Thor

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MightyThorOmnibuscropIn the 1980s, superhero comics were in the process of reinventing themselves for a more sophisticated audience, and one of the creators who took advantage of that was writer/artist Walt Simonson when he took the reins at Marvel Comics’ Thor.

Chris Clarememont and John Byrne had made their mark on The Uncanny X-Men; Frank Miller and Klaus Janson had overhauled Daredevil into something epic. (Byrne and Miller, of course, later revolutionized Superman and Batman, respectively.) But Simonson, who had worked on The Mighty Thor in the late 1970s, already had mythic material to start with, and when he returned to the title he built it into a world-shattering story.

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Thunder God Thursday: Trust Odinn

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OK, fine, we all know Odinn (Óðinn) isn’t the god of thunder; that would be his son, Thor. But I have loved this meme pic since I first saw it on Facebook. Not much to add, other than: this is clearly an Allfather you can trust.

Trust Odinn

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